All I wanted was a writing surface. Stone chisel in hand, a stone to hammer with. Need a rock to etch. Broken! I broke my chisel - too much force. When will I learn to be more gentle. So much to give, so much exploding inside me, so many patterns to express. No way out except with a chisel and hammer and a strong flat surface. Look at this rock! I won't need my old chisel to draw on this surface.

How many pieces do you see? I spilled the azure die then smudged it with my hand. The rain washed it before it set. I find if I cover parts of my work I can make light appear where there is really nothing! There are four main pieces. You can see them above what looks like a T and the right hand E below the T also defines a formation of sorts. There are other detail pieces. I am learning to shape rock. Sandstone is easiest. It is part of the secret treasure of the sand that it is infinitely shapeable. You can call me Silicon Zeb.
I shaped 4 deeper cuts leaving one less than 5 spaces. Five is a comfortable number, 2 more than 3, 2 less than 7, and 3 less than 2 to its 3rd power. Can you see deeper into the stone than its surface? If you place your eyes close to the rock surface, you will see deeper. Here is the first part. 

Seven surface nodes here showing a set of 5 things, each one with 3 levels of detail. This looks like a tool I could use. I can draw with it. I can reveal with it. I can give birth to the things inside me and learn relationships that I could not see before. What ideas! And I can give the drawings to others. Easier than dragging the old rocks up the hill and rolling them down the other side. I wonder if I could get in deeper...

What's that mouse doing on my rock! These little creatures usually get underfoot.  (Actually mice are amazing creatures, full of intelligence, but I prefer the larger rat - made some in gold once. I will be more respectful in the future.)

And what are these 'items'? Ways of thinking about meaning, I think, describing the effect of what we do and how do we measure it. I indicate what I want to learn, and my flexible sandstone remembers for me what I wanted so I can see if I achieved it. This is more than a pretty picture. It might actually prove something to me, or improve me!

And some of it looks almost like magic. I can even get other artists work to show - perhaps that will be evidence for my own success.

I have been experimenting with hues and colour. There are many hues. Some colours are garish. Some reveal shape.
Je peux dessiner en français aussi - avec le touche d'un bouton. Silicon Zeb can work in other languages too.

I spent time developing this idea for learning about my impact in the world. There is much variety in expression, but the results of our cooperation can be full of promise and achievement.

And here are a few of the properties of my chiseled and hammered result.

Pattern, proportion, and light. Here are some ideas in stranger tongues. One day I may be able to see right through the sandstone. On the left is my language; on the right others. Sometimes with certain strokes of the chisel, you can make the sun shine from the middle of a smooth rock. For more information, look up the logic modeler at http://gx.ca